- Lyrics to White Privilege II by Macklemore & Ryan Lewis from the This Unruly Mess I've Made album - including song video, artist biography, translations and more!
- 'White Privilege II' is a song by American hip hop duo Macklemore & Ryan Lewis from their second album This Unruly Mess I've Made (2016). The song, a sequel to Macklemore's solo song 'White Privilege' from his first album The Language of My World (2005), discusses white privilege and the social movement associated with Black Lives Matter.According to the duo, 'this song is the outcome of an.
A follow up to the original “White Privilege” released back in 2005, this song analyzes a variety of racial issues from various perspectives, relying on specific references to the contemporary racial and political climate.
Macklemore discusses his experience marching in the Ferguson protests following the shooting of Mike Brown—he questions whether or not it was the right thing for him to do. He wonders if his music is appropriating Black culture, or if he is disrespecting the art of rap by making more “poppy,” radio-friendly hits.
The track features Jamila Woods, a poet and singer from Chicago, best known for her hook on “Sunday Candy” by Donnie Trumpet and The Social Experiment.
Macklemore is self-aware in White Privilege II, noting that he’s been able to succeed in part because of his race. “The DIY underdog, so independent,” says the rapper, referring to himself.
In an interview with Rolling Stone, Macklemore talked about his internal struggle over whether or not to write this song,
It’s easier, as a white person, to be silent about racial injustice. It’s easier. On paper. But it’s not easier on the whole, because injustice affects all of us, whether we know it or not, whether we acknowledge it or not. At a certain point, this song might affect sales, this might affect touring, but it doesn’t matter if I’m not speaking up – if I’m not pushing myself to speak truth.'
Macklemore also discussed this internal struggle in 2012 on “A Wake,” in which he describes a dilemma following the shooting of Trayvon Martin.
Macklemore & Ryan Lewis White Privilege Ii Lyrics
XP, one of the song’s writers, told Genius that the song came from conversations had among Macklemore, Ryan Lewis, Jamila Woods, Nikkita Oliver, and Hollis Wong-Wear. Intel driver update utility free download.
| 'White Privilege II' | |
|---|---|
| Promotional single by Macklemore & Ryan Lewis featuring Jamila Woods | |
| from the album This Unruly Mess I've Made | |
| Released | January 22, 2016 |
| Genre | Alternative hip hop, indie hip hop |
| Length | 8:42 |
| Label | Macklemore LLC |
| Songwriter(s) |
|
| Producer(s) | Ryan Lewis |
'White Privilege II' is a song by American hip hop duo Macklemore & Ryan Lewis from their second album This Unruly Mess I've Made (2016). The song, a sequel to Macklemore's solo song 'White Privilege' from his first album The Language of My World (2005), discusses white privilege and the social movement associated with Black Lives Matter. According to the duo, 'this song is the outcome of an ongoing dialogue with musicians, activists, and teachers within our community in Seattle and beyond. Their work and engagement was essential to the creative process.'[1] The song's lyrics span around nine minutes and 1,300 words.[2] One of the project's collaborators is Chicago singer Jamila Woods, whose voice is featured on the track.[3] 'White Privilege II' was released as promotional single on January 22, 2016.
Themes[edit]
The song comments on the impunity with which white police in the United States are free to take black lives, with 'a shield, a gun with gloves and hands that gives an alibi.'[4] Arguing his success is 'the product of the same system that let off Darren Wilson,' a police officer who shot and killed Michael Brown,[1] Macklemore raps that, 'one thing the American dream fails to mention, is that I was many steps ahead to begin with'.[5] The song also samples a line from a woman who dismisses the concept of white privilege, 'you're saying that I have an advantage, why? Because I'm white? [scoffs and laughs] What? No.'[6][7]
Song structure[edit]
Forrest Wickman, writing for Slate, analyzes the song as having multiple sections that often bear a different critical viewpoint (narrator) from Macklemore himself. 'The biggest mistake early reactions to the song have made, pretty consistently, is assuming that everything Macklemore raps is in his own voice.'[2] The first verse in his own voice, where Macklemore raps about his struggle to find his place in the protest movement, conscious that his commercial success in hip-hop is at least partially a product of white privilege.[1]
They're chanting out, 'Black lives matter', but I don't say it back. Is it OK for me to say? I don't know, so I watch and stand in front of a line of police that look the same as me.[8]
In the second verse, according to Wickman, the song 'zooms out to give a larger perspective,' with Macklemore first delivering the case against himself, in the voice of his critics.[2] He then turns his self-consciousness about cultural appropriation to other white performers, rapping, 'we take all we want from black culture, but will we show up for black lives?' He names the performers Miley Cyrus, Iggy Azalea, and Elvis Presley as having 'exploited and stolen the music, the moment / the magic, the passion, the fashion you toyed with / the culture was never yours to make better.' He seems to put especial attention on Iggy Azalea, rapping, 'fake and so plastic, you've heisted the magic / you've taken the drums and the accent you rapped in / you're branded hip-hop; it's so fascist and backwards / That Grandmaster Flash'd go slap it'. Wickman writes that the 'many, many headlines' that construe this verse as being a 'callout' or a 'slam' are missing 'the larger point, which is that his real target here is himself.' He observes that the line supposedly accusing Azalea of 'heisting the magic,' is really a self-criticism: The Heist was Macklemore and Ryan Lewis' debut album.[2] Meera Jagannathan of the New York Daily News noted that Iggy Azalea was blindsided, tweeting a fan, 'he shouldn't have spent the last three years having friendly convos and taking pictures together at events, etc. if those were his feelings.'[8] Wickman argues Iggy Azalea seems to have 'missed the point,' echoing a protest chant sampled in the song, 'It's not about you!'
Toolscomputer managementsystem protection and disable it as well as the updates, it'll stop.But my computer can't disable it. That's normal. It just says in grey, 'Automatic (Delayed Start).Is it because the windows7 is expired? Disable windows 7 activation message. I've seen couple ways to activate it like putting in activation keys, but I am tired of doing so.I found out that usually when you go to control paneladmin.
The third verse by Wickman's same analysis, 'whips the camera around, to turn it on Macklemore's more ignorant fans,' taking on the voice of a white mom 'who asks to take a selfie with Macklemore, praising him at the expense of the rest of hip-hop, which she backhandedly slanders.'[2] In this verse, as Black Lives Matter protesters chant outside, the 'mom' tells Macklemore:
You're the only hip hop I let my kids listen to, because you get it. All that negative stuff isn't cool. Like all the guns and the drugs, the bitches and hoes, and the gangs and the thugs, even the protest outside, so sad and so dumb – if the cop pulls you over, it's your fault if you run!
Ever Since Battlezone (The Original arcade game, not Activision's action/strategy hybrid) blasted onto the scene way back in the 1970s, gamers the world over have been hooked on tank games. A decade later, when the original MI Tank Platoon stormed onto the scene in I 989, it set a new benchmark for ground war simulations, winning numerous awards and a place in the hearts of dynamic war game fans. Here is the video game “M1 Tank Platoon II”! Released in 1998 on Windows, it's still available and playable with some tinkering. It's an action, strategy and simulation game, set in a tank, vehicular combat simulator and cold war themes. Jul 16, 2019 M1 Tank Platoon is a tank simulation created by MPS Labs and released by MicroProse for the Amiga, Atari ST and DOS in 1989. The game can be played as a first person action/simulation game or as a strategy/tactical game, depending on the user choice. The reviews were very positive and in 1990 the game won the prize for Simulation Game of the Year. M1 tank platoon download full. M1 Tank Platoon II is one of the most challenging games I have ever played. It is not a game that you can just jump into without studying. The mammoth 280-page manual is. M1 Tank Platoon is a video game published in 1989 on DOS by MicroProse Software, Inc. It's a strategy and simulation game, set in a real-time, tank, vehicular combat simulator and war themes, and was also released on Amiga and Atari ST.
Wickman notes the 'irony' with which many fans initially seemed to endorse the mom's comments literally on song interpretation site Genius, with such annotations as, 'Macklemore makes positive hip-hop and doesn't romanticize bad behavior like most rappers do.'[2] The section concludes with samples from white critics of the Black Lives Matter movement, skeptical of the concept of white privilege and believing that they live in a post-racial America.
The fourth verse resumes in with Macklemore as narrator, followed by quotes from Black Lives Matter supporters, including a critique of the hashtag All Lives Matter using a metaphor: 'if there's a subdivision and a house is on fire..the fire department wouldn't show up and put water on all the houses because all houses matter, they would show up and turn on their water on the house that was burning because that's the house that needs help the most.'[6][7] The song then ends with Jamila Woods singing, 'Your silence is a luxury. Hip-hop is not a luxury. What I got for me, it is for me? What we made, we made to set us free.'[2][5] Woods' line is a reference to black feminist poet Audre Lorde's essay 'Poetry Is Not a Luxury.'[9]
Critical reception[edit]
Macklemore White Privilege Ii
Spencer Kornhaber, a reviewer for The Atlantic, called the song 'both a statement—don't just be aware of racism, speak up about it—and a demonstration..Macklemore is practicing what he preaches, as he preaches it. He also spotlights the voices of actual black activists. Who could attack him for that? I can't. This is a brave song.' However, he also criticizes the song for not using enough subtle artistry to convey his message, 'forgoing metaphor or ambiguity or impressionism.'[10]
In his review, Wickman said that 'White Privilege II' is not 'a great song, but as a think piece it's not terrible..the best thing Macklemore does is giving Black Lives Matter protesters (along with up-and-coming singer Jamila Woods) the last word.'[2]
Kris Ex of Pitchfork Media called the song a 'mess', saying that it's 'too much to work as hit and not enough to work as a piece of agitprop.'[11] Ex also noted two types of critiques about the song on social media: critiques making references to white savior syndrome, and critiques asserting that Macklemore's widespread recognition for the song was a type of recognition that rappers of color rapping about the same topic have received comparably little attention for, an ironic example of white privilege.[11]
Gyasi Ross, a Native American rapper, lawyer, activist, and author, responded to Macklemore's song by releasing a track called 'White Privilege 3', in which he criticized the song for ostensibly critiquing white privilege while simultaneously not letting minority artists speak. Ross commented, 'You're trying to help, but honestly you're not. We can speak for ourselves. Pass the mic.'[12]
Macklemore & Ryan Lewis White Privilege Ii
Washington hip-hop group Gadflies released a track in 2017, also called 'White Privilege III', citing white guilt and intellectual dishonesty as Macklemore's reason for making the original song, while referencing Macklemore's sheltered suburban life in Kent, Washington.[13]
Macklemore White Privilege Ii Youtube
Chart performance[edit]
On the first day of its release on January 22, 'White Privilege II' reached the #1 position on Billboard + Twitter Trending 140, a chart which ranks songs by how often they are mentioned on Twitter.[14]
Macklemore And Ryan Lewis White Privilege Ii (2016)
References[edit]
White Privilege Ii Macklemore Genius
- ^ abcStuart, Tessa (January 22, 2016). 'Macklemore and Ryan Lewis Drop Black Lives Matter-Inspired 'White Privilege II''. Rolling Stone. Retrieved 23 January 2016.
- ^ abcdefghWickman, Forrest (January 22, 2016). 'Macklemore's 'White Privilege II' Isn't a Great Song, But as a Think Piece It's Not Terrible'. Slate. Retrieved 23 January 2016.
- ^Twitter, Audie Cornish. ''This Song Is Uncomfortable': Macklemore On The Contradictions Of 'White Privilege''. NPR.org. Retrieved 2016-02-22.
- ^Groulx, Rob (January 22, 2016). 'White Rapper 'Macklemore' Goes Hard on 'White Privilege' and #BlackLivesMatter'. Independent Journal Review. Retrieved 23 January 2016.
- ^ abBoilen, Bob (January 22, 2016). 'Macklemore's New Song Is The Nine-Minute 'White Privilege II''. National Public Radio. Retrieved 23 January 2016.
- ^ abMacklemore and Ryan Lewis. 'White Privilege II'. Macklemore LLC.
- ^ abCeron, Ella (January 22, 2016). 'Macklemore, Award-Winning White Rapper, Makes a Song About White Privilege'. Teen Vogue. Retrieved 23 January 2016.
- ^ abJagannathan, Meera (January 22, 2016). 'Macklemore slams Miley Cyrus, Iggy Azalea for appropriating black culture, tackles racism and Black Lives Matter in new track 'White Privilege II''. New York Daily News. Retrieved 23 January 2016.
- ^Browne, Rembert. 'Macklemore, Hillary, and Why White Privilege Is Everyone's Burden'. Vulture. Retrieved 26 February 2016.
- ^Kornhaber, Spencer (January 22, 2016). 'Sympathy for the Macklemore'. The Atlantic. Retrieved 23 January 2016.
- ^ abEx, Kris (January 22, 2016). 'Macklemore's 'White Privilege II' Is a Mess, But We Should Talk About It'. Pitchfork Media. Retrieved 23 January 2016.
- ^http://indiancountrytodaymedianetwork.com/2016/02/06/gyasi-ross-schools-mackelmore-white-privilege-white-guilt-and-role-white-allies-163328[full citation needed]
- ^https://soundcloud.com/gadflies/white-privilege-iii
- ^Anderson, Trevor (January 22, 2016). 'Macklemore & Ryan Lewis' 'White Privilege II' Flies to No. 1 on Billboard + Twitter Trending 140 Chart'. Billboard.